Works:

Interdisciplinary Works with Ensemble

A Cow in the Backyard / Collaboration with María Korol [12’30’’] – for ensemble, electronics and three-screen stop motion animation, commissioned by ensemble Mosaik (2020)

Study in Yellow and Violet / Collaboration with María Korol [15 min] – for flute, viola, video, video and electronics, commissioned by ensemble Mosaik (2019)

Sí Hay MONSTER / Collaboration with Julio Zúñiga [approx. 30 min] – a happening / installation / musical performance for ensemble, audience, amplification and electronics, created for ensemble No Hay Banda with Felix del Tredici as a soloist (2018)

Sound & Art Installations 

Under Construction / Collaboration with María Korol – interactive installation/music instruments, stop motion animation and sound (2016–2017)

Music Boards / Collaboration with Martina Schlusnuss – interactive installation/music instruments. This work is a part of the art collection of the Akademie der Künste, Berlin (2016–2017)

Night Hunter / Collaboration with María Korol – installation/clay music instruments (2017)

Musical Performances & Music Theatre

A message from a world in which we are absent [7 - 10 min] – a musical performance for contrabass, percussion,  amplification and electronics, commissioned by Schallfeld ensemble (2018)

Thousand Splinters of a Human Eye [approx. 12 min] – a music theatre piece for 5 reed players and 5 singers (oboe, clarinet, bass clarinet, bassoon, alto saxophone; soprano, mezzo, tenor, baritone, bass), a bicycle and lights, commissioned by Calefax reed quintet (2017)

Life expectancy. Experience #1. The Sun [approx. 12 min] – for seven astro-performers, specially built instruments and lights, written for ensembles MCME and UMS&JIP (2015–2016)

The Mirror of Galadriel [approx. 12 min] – a musical performance for ping-pong table, pine cones, two performers, live projection and amplification (2012)

Works for Ensemble

No Grid In The Sky [17 min] – for eight trumpets (6 double-bell trumpets in C and 2 trumpets in F), commissioned by Musiekgebouw Amsterdam, created for the Monochrome Project (2025)

A Porous Tissue of Time [20 min] – for five percussion players and electronics, commissioned by Frames Percussion & funded by the Ernst von Siemens Music Foundation (2024)

A Sonic Corona to a Song Eclipsed [15 min] – for amplified ensemble: flute, oboe, double bell horn, tuba, violin, viola, cello, contrabass, and electronics, commissioned by Festival MaerzMusik & Ensemble Musikfabrik; funded by the Ernst von Siemens Music Foundation (2024)

Forget Me Not [30 min] – for saxophone, piano, synthesizer, electric guitar, percussion, and analog electronics, commissioned by I&I Foundation in partnership with Klangspuren Festival and written for the ensemble Nikel (2022)

In the Presence of Absence [12 min] – for bass clarinet, accordion, piano, violin, cello and electronics, commissioned by International Ensemble Modern Akademie and Mixtur Festival for ensemble Schallfeld, in partnership with Klang Festival Copenhangen (2022)

Asymptotic Freedom (II) [55 min] – for 6 prepared e-guitars, commissioned by Darmstädter Ferienkurse, Wittener Tage für neue Kammermusik and electronic studio La Muse en Circuit (2020–2021)

Asymptotic Freedom (I) [12 min] – for 6 prepared e-guitars, commissioned by Darmstädter Ferienkurse, Wittener Tage für neue Kammermusik and the electronic studio La Muse en circuit (2020)

Leaves in Marble [approx. 17 min] – for 5 performers, 2 assistants, fixed media and amplification, commissioned by Curious Chamber Players (2019)

Stop at the next cloud or I’ll turn into a scorpion [8 min] – for 5 players: clarinet & timpani, cello, 2 home-swingers (instruments by Yuri Landman), objects and installation (2014)

Works with Voice

A Hollow Heart full of Holes [12 min] – for five voices (S, S, M, T, B) and electronics; commissioned by Musik der Jahrhunderte Stuttgart, written for Neue Vocalsolisten. The development of electronics in collaboration with Thomas Hummel, SWR Experimentalstudio Freiburg. Premiered at the Eclat festival 2025. (2024 - 2025)

X is where I am [10 min] – for flute, clarinet, mezzo-soprano, accordion, piano, snare drum, violin and cello, commissioned by Aksenov Foundation as a part of the project Russian Music 2.1 (2021)

On the Shore of Shattered Time [5 min] – for mezzo, countertenor and bass, commissioned by Musik der Jahrhunderte for Neue Vocalsolisten as a part of the project by Olaf Nicolai “Escalier du Chant” (2021)

Chamber Music

Whispering to the Stars [10 min] – for amplified trio: double bell trumpet, double bell horn, tuba, and electronics (electronics are optional) written for Musikfabrik members: Marco Blaauw, Christine Chapman and Melvyn Poore (2022) 

Dusk [6’10”] – for contrabassoon and trombone, written for ensemble Linea (2022)

Silenced [18 - 20 min] – a trio for two timpani, assistant and analog electronics, written for ensemble NEOPERCUSIÓN (2019)

Subito Dodo [7 min] – for 5 players, a prepared table, objects, percussion and amplification, commissioned by Ensemble Lunaire (2017)

Life expectancy. Experience #2. Your Moon [between 12 - 20 min] – a trio for prepared instruments: cello, snare drum, acoustic guitar and a guitar amplifier, written for ensemble hand werk (2016)

You exist and I am an illusion [approx. 10 min] – a duo for prepared snare drum, prepared cello and amplification, written for UmeDuo (2016)

Bat Jamming [approx. 10 min] – a duo for two performers inside piano, written for Vertixe Sonora Ensemble (2015)

101% mind uploading [approx. 10 min] – a trio for piano, objects and percussion, written for ensemble Nikel (2015)

a blink of the evanescent smile [approx. 6 min] – for prepared instruments: violin, cello, acoustic guitar and amplification (2014)

TypewritERyk [7 min] – for flute, clarinet B and accordion, written for MCME (2013)

Quest# [open score, duration varies] – for 6 to 9 non-specified chromatic instruments, written for ensemble No Name (2013)

Alone against the wall [17 min] – for flute, clarinet, oboe, piano, percussion, violin, cello and objects, written for ensemble No Name (2013)

Solo Works

Amber Blackcurrent Time [10 min] – for saxophone & electronics, commissioned by Patrick Stadler (2024)

Sheltering in Time. Expedition II. [25 - 30 min] – for electric guitar and electronics, co-creation with Samuel Toro Pérez (2024)

Vicissitudes [12 min] – for double-bell trumpet solo in a large acoustics space (or artificial reverb), commissioned by & written in close collaboration with Marco Blaauw (2023)

Sheltering in Time. Expedition I. [25 min] – for electric guitar solo and electronics, written in close collaboration with Samuel Toro Pérez (2023)

A Tight Grip [6’ 30’’] – for marimba and electronics, written for Juanjo Guillem (2019)

Zigzag to Callisto [5 min] – a study for e-guitar (Stratocaster), written for the guitar workshop by Yaron Deutsch in Darmstadt (2018)

Cositas Diminutas [approx. 25 min] – a solo for piece, objects and amplification, written for Ricardo Descalzo (2017)

Marionette [approx. 10 min] – for amplified violin solo, written for Vladislav Pesin (2014)

Purple Haze [6 min] – for accordion, written for Sergej Tchirkov (2013)

Electroacoustic Works

Night Hunter [6’31”] – stereo electroacoustic piece for the exhibition with María Korol at Box Gallery in Knox College, Illinois (2017)

Cryptic Thingness [10 min] – stereo electroacoustic piece (with a possibility of a multichannel diffusion), written for Hydra system of 40 speakers at Harvard University (2016)

Scores for Film & Visual Media

Film Score [15 min] for the documentary The Land of Whispering Stars, film director Ayaal Adamov (2022)

Starfish [1 min] for Super 8mm commissioned by Tamed Archive (2021)

Single Releases

As Light Follows Us In Infinite Waters [5’ 40”] / collaboration with Etienne Nillesen – snare drum, guitar, electronics (2021–2022)

7 Fish in a Desert [6’ 40”] / collaboration with Etienne Nillesen – snare drum, guitar, electronics (2021)